معنى كلمة dance

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معنى كلمة dance
معنى كلمة dance

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معنى كلمة dance

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ධාවන ලැයිස්තු ප්‍රවේශනය කරමින්…

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تعلم اللغة الانجليزية اصبح اسهل بكثير الان .. لانك الان تستطيع ان تتابع كل جديد الموقع بشكل يومي ومن صفحة الموقع الاولى
حيث سوف نضيف دروس جديدة بشكل يومي مدعومة بالصوت والترجمة وكذلك الامثلة لبعض الدروس. هذه الدروس هي لجميع المستويات من مستوى مبتدئ في اللغة الانجليزية والى مستوى محترف. اذن لمزيد من الدروس تابعنا باستمرار

2019-07-07 11:18:46 : اضيف بتاريخ

2019-07-07 11:18:45 : اضيف بتاريخ

2019-07-07 11:18:43 : اضيف بتاريخ

2019-07-06 03:06:00 : اضيف بتاريخ

معنى كلمة dance

2019-07-06 03:05:55 : اضيف بتاريخ

2019-07-06 03:05:35 : اضيف بتاريخ

2019-07-03 01:38:40 : اضيف بتاريخ

2019-06-28 13:20:51 : اضيف بتاريخ

2019-06-28 13:20:49 : اضيف بتاريخ

2019-06-28 13:20:48 : اضيف بتاريخ

كثيراً ماورد هذا السؤال من قبل الطلاب والراغبين بتعلم اللغة الانجليزية , فقد يرى البعض ان تعلم اللغة الانجليزية امر صعب واخرون يرونه شبه مستحيل
وطبعاً هنالك اٌناس يرونه غاية في السهوله . اذن تعلم اللغة الانجليزية مناط بالاشخاص انفسهم ومدى قابلياتهم لتعلم لغة جديدة لا سيما تعلم اللغة الانجليزية .
ولكن هنالك بعض الامور والخطوات التي يجب معرفتها لكي يكون تعلم اللغة الانجليزية امر سهل للغاية. اذن ماهي هذه الخطوات ومامدى تأثيرها على تعلم
اللغة الانجليزية بشكل سريع وفعال . سأذكرها لكم بالتفصيل

استمع ثم استمع ثم استمع الى الحوارات والمناقشات والمحادثات باللغة الانجليزية حتى وان لم تفهم حرف واحد مما يقال والغرض هنا
هو تعويد اذن المتعلم على سماع هذا النوع من الاصوات-لفظ المفردات.

لا تترجم ماتريد قوله من العربية الى الانجليزية بل احفظ العبارات كما هي عن ظهر قلب واستخدمها للتعبير عما ماتريد
وكررها قدر ماتستطيع , فهذه العملية تسهل طلاقتك في اللغة الانجليزية وتحول دون تعثرك اثناء الحديث باللغة الانجليزية.

لاتخجل من التكلم باللغة الانجليزية حتى وان كان ماتقوله فيه اخطاء فالاستمرار والمحاوله الدائمة ستقودك بالتاكيد الى النجاح.
اكرر اياك والخجل من الكلام باللغة الانجليزية لانه سيمنعك من تعلمها .

تعلم اصوات اللغة الانجليزية وطريقة لفظها الصحيح فهذا يساعدك على تعلم القراءة بشكل صحيح , فحفظ الكلمات وحده
لايكفي للقراءة ولكن تعلم اللفظ الصحيح للاصوات يعطيك فرصة اكبر لقراءة الكلمات التي لم تمر عليك من قبل .

تعلم قواعد اللغة الانجليزية سيٌنير لك الطريق لتعلم اللغة الانجليزية بشكل صحيح وسليم , فتعلم تراكيب الجٌمل الصحيحة
واتقان المبادىء الاساسية للكتابة هو امر في غاية الاهمية. لانه الفارق بين المتعلم الاكاديمي ومتعلم اللغة العامية – لغة الشارع.

ضع جدولاً لنفسك من خلاله تقوم بحفظ خمس مفردات يومياً قراءة وكتابة(املاء) فهذا سيولد لك مجموعة كبيرة من المفردات
بعد فترة زمنية قصيرة فكلما كبر المخزون اللغوي لديك كلما زادت قوتك في اللغة الانجليزية .

لايقتصر تعلم اللغة الانجليزية على تعلم المفردات فقط بل هنالك اشياء اخرى يجب الاهتمام بها بشكل كبير واول هذه الاشياء
واهمها هو المصطلحات ففي اللغة الانجليزية يوجد العديد من المصطلحات التي يكون لها معنى مغاير تماماً للمفردات نفسها
لو جاءت بشكل منفرد لذا اوصيك بتعلم مصطلحات اللغة الانجليزية باسرع مايمكن.

اجعل من تعلم اللغة الانجليزية هواية محببه لقلبك وليس شي مفروض عليك بالقوة فحب المادة التي تدرسها يسرع من زمن تعلمها
فأنصحك بخلط المتعة بالتعلم من خلال مشاهدة البرامج والمسلسلات الانجليزية الغير مترجمة والتي تعرضها العديد من القنوات الفضائية
او حتى المترجمة بشرط التركيز على الكلام المنطوق وليس على الترجمة.

لا تقول انا اتقنت اللغة الانجليزية وبذلك تتوقف عن تعلمها , انصحك بان تبقى في حالة تعلم مستمر , لا بل وحاول ان تغوص في اعماقها كلما
اتيحت لك الفرصة فاللغة الانجليزية بحر لا يحده حدود .

اختبر نفسك بشكل دوري وصحح اخطاك بقدر ما تستطيع فتعلم اللغة الانجليزية شيء واحتراف اللغة الانجليزية شيء اخر . ففي البداية نتعلم
اللغة الانجليزية بشكل عفوي لكن فيما بعد يجب علينا تقويم وتصحيح ماتعلمناه ان كان فية شيء من الخطا.

الثقة بالنفس اساس تعلم اللغة الانجليزية فكلما كانت ثقتك بنفسك عالية كلما رغبت اكثر في استخدام لغتك الانجليزية .
على عكس ذلك فانك تحاول تجنب الحديث باللغة الانجليزية خوف من الوقوع في الخطأ .

تاكد من شيء وهو كلما اخطت اكثر كلما تعلمت اكثر فتعلم اي شيء جديد يكون صعب في البداية ولكن الاستمرار
والممارسة اليومية والثقة بالنفس والاصرار ستقودك بالتاكيد الى النجاح والتفوق .

لا يفوتك تحميل تطبيقنا المجاني الشامل والذي سوف يغنيك عن كل شي حيث سوف يبدء معك من مستوى الاحرف الانجليزية ويستمر معك الى مستوى الاحتراف بأذن الله
مع اختبارات تفاعلية متعددة وشرح مفصل لكل صغيرة وكبيرة علما ان جميع الدروس والمقاطع الصوتية تعمل بدون الحاجة الى الانترنت. ولاتنسى تقيم التطبيق اذا كنت بالفعل حملته على جهازك

تعلم اللغة الانجليزية

تعلم اللغة الانجليزية للمبتدئين

تعلم اللغة الانجليزية مجانا

تعلم اللغة الانجليزية بالعربي

تعلم اللغة الانجليزية بالصوت والصورة

تعليم اللغة الانجليزية بسهولة

تعلم اللغة الانجليزية بطلاقة

الانجليزية لكل العرب

اخي الزائر الكريم , اذا اعجبتك الصفحة نرجو منك نشرها على الفيسبوك او تويتر او قوقل بلس لكي يراها اصدقاءك ومعارفك وبذلك سوف يتعرفون على اهتماماتك واطلاعاتك وقد يشاركونك اراءهم ويبادلونك اهتماماتهم

لكي تبقى على اطلاع دائم بجديد الموقع من الدروس والبرامج والتحديثات , تابعنا على مواقع التواصل الاجتماعي

var pbHdSlots = [
{code: ‘ad_topslot_b’, mediaTypes: { banner: { sizes: [728, 90] } },
bids: [{ bidder: ‘rubicon’, params: { accountId: ‘17282’, siteId: ‘162036’, zoneId: ‘776160’ }},
{ bidder: ‘appnexus’, params: { placementId: ‘11654157’ }},
{ bidder: ‘ix’, params: { siteId: ‘195466’, size: [728, 90] }},
{ bidder: ‘openx’, params: { unit: ‘539971080’, delDomain: ‘idm-d.openx.net’ }},
{ bidder: ‘sovrn’, params: { tagid: ‘346693’ }},
{ bidder: ‘aol’, params: { placement: ‘6479710’, network: ‘4832.1’, server: ‘adserver.adtech.de’ }},
{ bidder: ‘criteo’, params: { zoneId: ‘1101656’ }}]},
{code: ‘ad_leftslot’, mediaTypes: { banner: { sizes: [160, 600] } },
bids: [{ bidder: ‘rubicon’, params: { accountId: ‘17282’, siteId: ‘162036’, zoneId: ‘776140’ }},
{ bidder: ‘appnexus’, params: { placementId: ‘11654149’ }},
{ bidder: ‘ix’, params: { siteId: ‘195464’, size: [160, 600] }},
{ bidder: ‘openx’, params: { unit: ‘539971066’, delDomain: ‘idm-d.openx.net’ }},
{ bidder: ‘sovrn’, params: { tagid: ‘346698’ }},
{ bidder: ‘aol’, params: { placement: ‘6479703’, network: ‘4832.1’, server: ‘adserver.adtech.de’ }},
{ bidder: ‘criteo’, params: { zoneId: ‘1101594’ }}]},
{code: ‘ad_btmslot_a’, mediaTypes: { banner: { sizes: [[300, 250]] } },
bids: [{ bidder: ‘rubicon’, params: { accountId: ‘17282’, siteId: ‘162036’, zoneId: ‘776130’ }},
{ bidder: ‘appnexus’, params: { placementId: ‘11653860’ }},
{ bidder: ‘ix’, params: { siteId: ‘194852’, size: [300, 250] }},
{ bidder: ‘openx’, params: { unit: ‘539971063’, delDomain: ‘idm-d.openx.net’ }},
{ bidder: ‘sovrn’, params: { tagid: ‘346688’ }},
{ bidder: ‘aol’, params: { placement: ‘6479718’, network: ‘4832.1’, server: ‘adserver.adtech.de’ }},
{ bidder: ‘criteo’, params: { zoneId: ‘1101592’ }}]},
{code: ‘ad_rightslot’, mediaTypes: { banner: { sizes: [300, 250] } },
bids: [{ bidder: ‘rubicon’, params: { accountId: ‘17282’, siteId: ‘162036’, zoneId: ‘776156’ }},
{ bidder: ‘appnexus’, params: { placementId: ‘11654156’ }},
{ bidder: ‘ix’, params: { siteId: ‘195465’, size: [300, 250] }},
{ bidder: ‘openx’, params: { unit: ‘539971079’, delDomain: ‘idm-d.openx.net’ }},
{ bidder: ‘sovrn’, params: { tagid: ‘387232’ }},
{ bidder: ‘aol’, params: { placement: ‘6479700’, network: ‘4832.1’, server: ‘adserver.adtech.de’ }},
{ bidder: ‘criteo’, params: { zoneId: ‘1101607’ }}]},
{code: ‘ad_contentslot_1’, mediaTypes: { banner: { sizes: [[300, 250], [336, 280]] } },
bids: [{ bidder: ‘rubicon’, params: { accountId: ‘17282’, siteId: ‘162036’, zoneId: ‘776142’ }},
{ bidder: ‘appnexus’, params: { placementId: ‘11654150’ }},
{ bidder: ‘ix’, params: { siteId: ‘195452’, size: [300, 250] }},
{ bidder: ‘ix’, params: { siteId: ‘195452’, size: [336, 280] }},
{ bidder: ‘openx’, params: { unit: ‘539971067’, delDomain: ‘idm-d.openx.net’ }},
{ bidder: ‘sovrn’, params: { tagid: ‘446383’ }},
{ bidder: ‘aol’, params: { placement: ‘6479707’, network: ‘4832.1’, server: ‘adserver.adtech.de’ }},
{ bidder: ‘aol’, params: { placement: ‘6623862’, network: ‘4832.1’, server: ‘adserver.adtech.de’ }},
{ bidder: ‘criteo’, params: { zoneId: ‘1101595’ }}]}];
var pbDesktopSlots = [
{code: ‘ad_topslot_b’, mediaTypes: { banner: { sizes: [728, 90] } },
bids: [{ bidder: ‘rubicon’, params: { accountId: ‘17282’, siteId: ‘162036’, zoneId: ‘776160’ }},
{ bidder: ‘appnexus’, params: { placementId: ‘11654157’ }},
{ bidder: ‘ix’, params: { siteId: ‘195466’, size: [728, 90] }},
{ bidder: ‘openx’, params: { unit: ‘539971080’, delDomain: ‘idm-d.openx.net’ }},
{ bidder: ‘sovrn’, params: { tagid: ‘346693’ }},
{ bidder: ‘aol’, params: { placement: ‘6479710’, network: ‘4832.1’, server: ‘adserver.adtech.de’ }},
{ bidder: ‘criteo’, params: { zoneId: ‘1101656’ }}]},
{code: ‘ad_leftslot’, mediaTypes: { banner: { sizes: [160, 600] } },
bids: [{ bidder: ‘rubicon’, params: { accountId: ‘17282’, siteId: ‘162036’, zoneId: ‘776140’ }},
{ bidder: ‘appnexus’, params: { placementId: ‘11654149’ }},
{ bidder: ‘ix’, params: { siteId: ‘195464’, size: [160, 600] }},
{ bidder: ‘openx’, params: { unit: ‘539971066’, delDomain: ‘idm-d.openx.net’ }},
{ bidder: ‘sovrn’, params: { tagid: ‘346698’ }},
{ bidder: ‘aol’, params: { placement: ‘6479703’, network: ‘4832.1’, server: ‘adserver.adtech.de’ }},
{ bidder: ‘criteo’, params: { zoneId: ‘1101594’ }}]},
{code: ‘ad_btmslot_a’, mediaTypes: { banner: { sizes: [[300, 250]] } },
bids: [{ bidder: ‘rubicon’, params: { accountId: ‘17282’, siteId: ‘162036’, zoneId: ‘776130’ }},
{ bidder: ‘appnexus’, params: { placementId: ‘11653860’ }},
{ bidder: ‘ix’, params: { siteId: ‘194852’, size: [300, 250] }},
{ bidder: ‘openx’, params: { unit: ‘539971063’, delDomain: ‘idm-d.openx.net’ }},
{ bidder: ‘sovrn’, params: { tagid: ‘346688’ }},
{ bidder: ‘aol’, params: { placement: ‘6479718’, network: ‘4832.1’, server: ‘adserver.adtech.de’ }},
{ bidder: ‘criteo’, params: { zoneId: ‘1101592’ }}]},
{code: ‘ad_rightslot’, mediaTypes: { banner: { sizes: [300, 250] } },
bids: [{ bidder: ‘rubicon’, params: { accountId: ‘17282’, siteId: ‘162036’, zoneId: ‘776156’ }},
{ bidder: ‘appnexus’, params: { placementId: ‘11654156’ }},
{ bidder: ‘ix’, params: { siteId: ‘195465’, size: [300, 250] }},
{ bidder: ‘openx’, params: { unit: ‘539971079’, delDomain: ‘idm-d.openx.net’ }},
{ bidder: ‘sovrn’, params: { tagid: ‘387232’ }},
{ bidder: ‘aol’, params: { placement: ‘6479700’, network: ‘4832.1’, server: ‘adserver.adtech.de’ }},
{ bidder: ‘criteo’, params: { zoneId: ‘1101607’ }}]},
{code: ‘ad_contentslot_1’, mediaTypes: { banner: { sizes: [[300, 250], [336, 280]] } },
bids: [{ bidder: ‘rubicon’, params: { accountId: ‘17282’, siteId: ‘162036’, zoneId: ‘776142’ }},
{ bidder: ‘appnexus’, params: { placementId: ‘11654150’ }},
{ bidder: ‘ix’, params: { siteId: ‘195452’, size: [300, 250] }},
{ bidder: ‘ix’, params: { siteId: ‘195452’, size: [336, 280] }},
{ bidder: ‘openx’, params: { unit: ‘539971067’, delDomain: ‘idm-d.openx.net’ }},
{ bidder: ‘sovrn’, params: { tagid: ‘446383’ }},
{ bidder: ‘aol’, params: { placement: ‘6479707’, network: ‘4832.1’, server: ‘adserver.adtech.de’ }},
{ bidder: ‘aol’, params: { placement: ‘6623862’, network: ‘4832.1’, server: ‘adserver.adtech.de’ }},
{ bidder: ‘criteo’, params: { zoneId: ‘1101595’ }}]}];
var pbTabletSlots = [
{code: ‘ad_topslot_b’, mediaTypes: { banner: { sizes: [728, 90] } },
bids: [{ bidder: ‘rubicon’, params: { accountId: ‘17282’, siteId: ‘162036’, zoneId: ‘776160’ }},
{ bidder: ‘appnexus’, params: { placementId: ‘11654157’ }},
{ bidder: ‘ix’, params: { siteId: ‘195466’, size: [728, 90] }},
{ bidder: ‘openx’, params: { unit: ‘539971080’, delDomain: ‘idm-d.openx.net’ }},
{ bidder: ‘sovrn’, params: { tagid: ‘346693’ }},
{ bidder: ‘aol’, params: { placement: ‘6479710’, network: ‘4832.1’, server: ‘adserver.adtech.de’ }},
{ bidder: ‘criteo’, params: { zoneId: ‘1101656’ }}]},
{code: ‘ad_btmslot_a’, mediaTypes: { banner: { sizes: [[300, 250]] } },
bids: [{ bidder: ‘rubicon’, params: { accountId: ‘17282’, siteId: ‘162036’, zoneId: ‘776130’ }},
{ bidder: ‘appnexus’, params: { placementId: ‘11653860’ }},
{ bidder: ‘ix’, params: { siteId: ‘194852’, size: [300, 250] }},
{ bidder: ‘openx’, params: { unit: ‘539971063’, delDomain: ‘idm-d.openx.net’ }},
{ bidder: ‘sovrn’, params: { tagid: ‘346688’ }},
{ bidder: ‘aol’, params: { placement: ‘6479718’, network: ‘4832.1’, server: ‘adserver.adtech.de’ }},
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› a large room that is used for formal dancing

معنى كلمة dance

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Parts of buildings: rooms

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› a large room that is used for dancing or other activities

(Definition of “ballroom” from the Cambridge Academic Content Dictionary © Cambridge University Press)

舞廳…

舞踏会会場, 舞踏室, ダンスホール…

salle de bal, danse de salon…

sala de ball…

قاعة رَقْص…

taneční sál, společenský…

balsal, dansesal, danse-…

ruang dansa, dansa resmi…

ห้องเต้นรำ, ที่เกี่ยวกับการลีลาศ…

phòng khiêu vũ, một kiểu khiêu vũ theo những nhịp điệu quy ước…

sala balowa…

tempat majlis tari-menari, tari-menari…

balo salonu…

der Tanzsaal, Gesellschafts-……

dansesal, ballsal, ball-…

무도회장…

salão de baile…

舞厅…

sala da ballo, da ballo…

бальный зал…

salón de baile, de salón…

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ball boy/girl

معنى كلمة dance

a boy/girl who picks up balls during a tennis or football game and gives them back to the players

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flat white economy noun


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Dabke (Arabic: دبكة‎ also spelled Dabka, Dubki, Dabkeh, plural Dabkaat)[1] is a native Levantine folk dance performed by Lebanese, Syrians, Palestinians and Jordanians.[2] Dabke combines circle dance and line dancing and is widely performed at weddings and other joyous occasions. The line forms from right to left and leader of the dabke heads the line, alternating between facing the audience and the other dancers. In English, it can be translated as dabka, dabki, dabkeh.

The etymology of ‘Dabke’ remains uncertain. However, the word ‘Dabke’ is derived from the Levantine Arabic word (Arabic: دبكة‎) meaning “stamping of the feet”.[3][4][5][6][7]

According to one folk tradition, the dance originated in the Levant where houses were built from stone with a roof made of wood, straw and dirt. The dirt roof had to be compacted which required stomping the dirt hard in a uniform way to compact it evenly. This event of cooperation is called ta’awon and from here comes the word awneh, meaning “help.” This developed into the song Ala Dalouna (Arabic: على دلعونا‎), roughly translated, “let’s go and help”. The dabke and the rhythmic songs go together in an attempt to keep the work fun and the workers energetic.

In Jordan there are around 19 types of The Jordanian Dabke and many of them are performed in Syria and Lebanon. Jordanian dabke types include but are not limited to:[8]

Amongst Palestinians, two common types of dabke are the shamaliyya and sha’rawiyya – which have six measure phrases – and the karaadiyya which has square phrases (of four or eight measures). Another type is the dabke niswaniyyah, danced specifically by women. Each type of dabke dance has its own corresponding set of songs, the theme of which is often love.[10]

معنى كلمة dance

There are six main types of dabke:

The Oxford International Encyclopedia of Dance also mentions these additional kinds of line dances in its entry under “Middle East”:

The Murdah was originally performed by women in Arab states of the Persian Gulf while the men of the community were away on extended fishing and pearling expeditions. It involves two lines of dancers who move toward each other with small steps and then retreat while singing rhymed couplets. These couplets were largely laments for absent loved ones. Although seafaring is no longer economically important in the region, women continue to perform this dance at social gatherings.

The Ahwash (Fr., ahouache) performed by Berber tribes of the Moroccan High Atlas Mountains, includes one or several curved lines of men and one or several curved lines of women, the whole forming a circle or ellipse around male drummers (Jouad and Lortat-Jacob, 1978; Lortat-Jacob, 1980). One line recites a poem that the other line responds to with another poem; then all move to the beat of the drums. Customarily, the whole community participates. While performing, women dancers hold themselves very straight and move with staccato steps, holding onto the weaving rod of the house. Women as well as men compose the poetry that is recited. A similar dance reported for Morocco is the dukkala. In one variation a man and woman facing each other compete to see which one can dance the longest (Mercier, 1927).[11]

There are numerous kinds of songs that are sung during and specifically for dabke, by both men and women respectively, depending on the occasion, song, and audience. Some of the most popular of these songs, such as Dal Ouna (دلعونا), Al Jafra (الجفرا), Al Dahiyya (الدحية), and Zareef il-Tool (ظريف الطول), are actually entire genres in themselves, in the sense that lyrics can vary significantly in each performance but the basic rhythm of the music is consistent and recognizable. This variation can be seen in the hundreds of lyrical variations heard and recorded of these songs which regardless of specific lyrics, are recognized by their rhythm and at times, a single phrase, as in Ala Dal Ouna, Jafra, and others. For example, even though one might have heard Ala Dal Ouna sung previously telling a different story in this famous love song, people will still call another song ascribing to the same rhythm and theme as Dal Ouna.[12]

The majority of dabke music, being folk songs, is on Maqam Bayati.

The Oud (عود), from which the English word “lute” comes, is shaped like half a pear with a short non-fretted neck. It has six courses of two strings and played with a plectrum, usually a trimmed eagle’s feather. This instrument creates a deep and mellow sound.

The mijwiz (مجوز) which means “double” in Arabic is very popular in Levantine music. It is a type of reed clarinet that is played by breathing smoothly through a circular aperture at the end and by moving the fingers over the holes down the front of the tube in order to create the different notes. The minjjayrah is similar to the mijwiz, an open ended reed flute played in the same style.

The tablah (طبلة) is a small hand-drum also known as the durbakke. Most tablahs are beautifully decorated, some with wood, tile or bone inlay, etched metal, or paintings in designs typical of the Near East. One of the most commonly played of the percussion instruments; the tablah is a membranophone of goat or fish skin stretched over a vase-shaped drum with a wide neck. Usually made of earthenware or metal, it is placed either under the left arm or between the legs and struck in the middle for the strong beats and on the edge for the sharp in-between beats. Though today fishskin heads are rarely used due to the climate. When used it becomes loose, you would have to heat the head to get the correct sound back. The membrane or head of the drum is now made out of plastic. The most common head is from Alexandria, Egypt.

The daff (دف), also known as the Riq (رق), is similar to the tambourine. It consists of a round frame, covered on one side with goat or fish skin. Pairs of metal discs are set into the frame to produce the jingle when struck by the hand. The sounds of this percussion instrument set the rhythm of much Arab music, particularly in the performances of classical pieces.[13]

The arghul, (يرغول) also known as the yarghoul, is commonly used in solos, often accompanied by singers, that begin dabke performances. Unlike the mijwiz, it only has finger holes in one of its pipes/reeds. (see Al-Shamaliyya, under Types).

The Shubabeh, (شبابة) is a woodwind instrument traditionally made from reed cane. It differs from the Mijwiz and Arghul in that it does not have a reed, instead the musician blows against the side of the instrument at an angle to produce the tone. The Shubabeh is traditionally played by herders in the wilderness.

Dabke competitions or shows consist of different cultural dances and various troupes performing dabke. For example, the International Fiesta, a well known festival at the University at Buffalo, consists of a series of clubs performing their cultural dances. This competition occurs every semester in the main stage theater of the UB Center for the Arts during the spring time, usually at the end of February or beginning of March. This allows the Organization of Arab Students to participate and show the cultural awareness of dabke.

Many universities host events called Arab Night or a title to that effect. When these shows occur, dabke is either performed on stage (inside or outside), in a hall on the floor, or outside on the floor. There are different steps that comprise the Dabke dance: the belbel, the inzel, shemmel and taxi; a combination of each of these steps as well as the occasional jump and turn make the dance complete.[14]

In America, the tradition has not been lost and is held in the same places as it would in the original homeland and the dance music is also commonly played in America at Arab-community cultural centers and conventions such as the annual convention hosted by the American Federation of Ramallah Palestine.[15]

In August 2011, a group in a Lebanese village Dhour El Choueir, Lebanon set a new world record. Organized by Dhour El Choueir Summer Festival, a human chain of 5,050 was made and currently holds the world record.[16]

Dhour El Choueir event broke the record set by Tollab, Lebanese Student Federation in Montreal, with the participation of “La Troupe Folklorique Les Chevaliers du Liban” that had made a human chain of 4,475 people dancing the dabke for more than five minutes straight at Montreal’s Marcelin Wilson Park.[17][18]

Tollab had itself broken a record of 2,743 set by a group of Israeli Arabs in Acre, Israel. An earlier record of 1,700 had been set in Toronto.[19]

معنى كلمة dance
معنى كلمة dance
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